From the eerie dread descending upon a New Orleans dive bartender after a cell phone is left behind in a rollicking bar fight in “The Visible Filth” to the search for the map of hell in “The Butcher’s Table,” Ballingrud’s beautifully crafted stories are riveting in their quietly terrifying depictions of the murky line between the known and the unknown. Now, in Wounds, Ballingrud follows up with an even more confounding, strange, and utterly entrancing collection of six stories, including one new novella.
It’s an obsidian obelisk on a shore of charcoal-colored sand that will not just draw the reader’s eye to strange sights on the shore, but entice them into the unexplored depths. In his first collection, North American Lake Monsters, Nathan Ballingrud carved out a distinctly singular place in American fiction with his “piercing and merciless” ( Toronto Globe and Mail) portrayals of the monsters that haunt our lives-both real and imagined: “What Nathan Ballingrud does in North American Lake Monsters is to reinvigorate the horror tradition” ( Los Angeles Review of Books). Nathan Ballingrud ’s new collection Wounds: Six Stories from the Border of Hell is a monstrous, monumental collection. “Ballingrud’s work isn’t like any other.” -Cory Doctorow, Boing BoingĪ gripping collection of six stories of terror-including the novella “The Visible Filth,” the basis for the upcoming major motion picture-by Shirley Jackson Award–winning author Nathan Ballingrud, hailed as a major new voice by Jeff VanderMeer, Paul Tremblay, and Carmen Maria Machado-“one of the most heavyweight horror authors out there” ( The Verge). “Nathan Ballingrud is one of my favorite short fiction writers.” -Jeff VanderMeer, New York Times bestselling author of Annihilation and Borne
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